Operalogue

Operalogue

Share this post

Operalogue
Operalogue
Revealing Shostakovich's Secrets

Revealing Shostakovich's Secrets

Semyon conducts the Fifth Symphony and Cello Concerto No 1 with Sheku Kanneh-Mason

Hugh Canning's avatar
Hugh Canning
Mar 20, 2025
∙ Paid
4

Share this post

Operalogue
Operalogue
Revealing Shostakovich's Secrets
Share

Semyon Bychkov: shattering Shostakovich with the Czech Philharmonic Picture © Mark Allan

Since Semyon Bychkov took over as chief conductor and artistic director of the Czech Philharmonic in 2018, the venerable mid-European orchestra has undertaken an energetic schedule of touring. The international market was initially made aware of this powerful partnership by an acclaimed ‘Tchaikovsky Project’, which resulted in Decca recordings of all seven symphonies (including the un-canonical ‘Manfred’) and five of his works for solo instrument and orchestra. Subsequently, with Pentatone, they recorded Czech music - Dvorak’s last three symphonies and Smetana’s Má Vlast, this orchestra’s signature work.

For their most recent London appearances (two concerts on consecutive nights at the Barbican Hall), they brought, first, a pairing of Shostakovich’s Cello Concerto No 1 and his Fifth Symphony, and second, a programme culminating in the Fifth Symphony of a composer much admired by Shostakovich - Mahler, born in Bohemia when Prague was one of the capitals of the Austro-Hungarian Empire. I had to miss this concert, in which Mahler was paired with a Bychkov ‘party piece’, Mozart’s Concerto for Two Pianos and orchestra K.365 with his wife Marielle Labèque and her sister Katia as soloists.

Keep reading with a 7-day free trial

Subscribe to Operalogue to keep reading this post and get 7 days of free access to the full post archives.

Already a paid subscriber? Sign in
© 2025 Hugh Canning
Privacy ∙ Terms ∙ Collection notice
Start writingGet the app
Substack is the home for great culture

Share